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  • The Satirical Bengali Art that Shamed Society’s Hypocrisy

    The Satirical Bengali Art that Shamed Society’s Hypocrisy

    20th Dec 2024
  • ‘Charitraheen’ to ‘Charulata’, the Evolution of Shame and Morality in Bengali Cinema

    ‘Charitraheen’ to ‘Charulata’, the Evolution of Shame and Morality in Bengali Cinema

    19th Dec 2024
  • What Does Ajoy Kar’s Harano Sur Reveal About Love and Identity Through Forgotten Harmonies?

    What Does Ajoy Kar’s Harano Sur Reveal About Love and Identity Through Forgotten Harmonies?

    3rd Dec 2024
  • How Meiyazhagan Highlights the Essence of Connection in Cinema

    How Meiyazhagan Highlights the Essence of Connection in Cinema

    20th Nov 2024
  • How Ritwik Ghatak’s Ajantrik Brought a Car to Life as a Character in Indian Cinema

    How Ritwik Ghatak’s Ajantrik Brought a Car to Life as a Character in Indian Cinema

    29th Oct 2024
  • Exploring the Art in Sunil Bandopadhyay’s ‘Deya Neya’ Beyond its Commercial Appeal

    Exploring the Art in Sunil Bandopadhyay’s ‘Deya Neya’ Beyond its Commercial Appeal

    21st Oct 2024
  • The Economics Behind Durga Puja Celebrations

    The Economics Behind Durga Puja Celebrations

    26th Sep 2024
  • The dream series: Lost on the Island

    The dream series: Lost on the Island

    18th Sep 2024
  • A Meditative Exploration of Power and Identity in Satyajit Ray’s Kanchenjungha

    A Meditative Exploration of Power and Identity in Satyajit Ray’s Kanchenjungha

    11th Sep 2024
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